By Jack Heart & Orage

One of the great wonders of gothic architecture, there is an almost palpable evil inside Stephansdom; a heaviness of the air. Shadows of forlorn sorrow and unspeakable despair seem to lurk in corners too dark to be clearly seen…

A malevolent presence stalks the aisles at the periphery of the senses — something dark and as old as time itself feeds like a vampire on the immortal souls of its unsuspecting supplicants.

“In the early hours of 10 April 1945,” legendary SS Commander Sepp Dietrich, the Commanding Officer of the retreating German forces in Vienna at the time, gave the order to Captain Gerhard Klinkicht, commander of his field artillery, to “fire a hundred shells, more if necessary and leave it in debris and ashes.”

Klinkicht has been immortalized today for disobeying those orders leaving Stephansdom preserved for posterity.

Lost in the adulation is the fact he contributed over a hundred and fifty thousand euros to its restoration during his lifetime. The last seventy thousand was a check given to Christoph Cardinal Schönborn, just months before Klinkicht’s death in 2000. (1)

Josef “Sepp” Dietrich was one of the most if not the most powerful man in the SS.

As Hitler’s personal bodyguard and chauffeur, he literally fought his way to the top, first in the streets at Hitler’s side, and later the battlefields of Europe as the Commander of Leibstandarte SS Adolf Hitler (LSSAH); a tank unit and the most feared military division of WW II.

In Lucifer’s Court, Otto Rahn states that Dietrich is the key and Dietrich in German literally means key.

In fact, the Unit Insignia for the LSSAH was a key…

It was Dietrich who was responsible for financing Otto Rahn and Karl Wolf in southern France during their 1931 quest for the Holy Grail amongst the “grottoes of the Sabarthes.”(2)

“Wolff, who had won the Iron Cross in WW I when he was just eighteen years old, would go on to become General Karl Wolff, Supreme Commander of all SS forces in Italy or just plain Wolffie to Himmler.” (3)

It can be argued from both accepted historical fact and evidence produced in Titthakara and Otto Rahn, Hidden Master or Madman that these three men; Otto Rahn, Sepp Dietrich and Karl Wolff formed a hidden triad of power in the SS above Himmler and were answerable, perhaps, only to Hitler himself.

After the war, Dietrich would shoulder the blame for the Malmedy massacre — a war crime to which he had little or nothing to do with, in order to shield his subordinates. He was sentenced to life, which would be shortened to twenty-five years, due to testimony in his defense by other German officers. He would end up doing ten years.

Dietrich was a man of unimpeachable integrity and bravery, and Klinkicht’s tale that he ordered the destruction of one of the world’s greatest architectural wonders – built by the German people – out of spite because Vienna had surrendered too easily to the Russians just doesn’t wash.

In fact, it reeks of the Empire’s cartoonish historic fabrications that have been used to conceal and obfuscate the facts about WW II — why it was fought and who was fighting it.

Perhaps the gullible Dietrich, yet another dumb German brute, had been duped, tipped off by yet another incredibly clever British OSS agent posing as an anti-Semitic monk — Ann Frank was hiding in the attic of Stephansdom…

Upon entrance into Stephansdom through the doorway under the two smaller steeples, if one takes the left-hand path toward the altar in the front and keeps the larger steeple outside to the rear right, one is greeted by a leering skull and crossbones.

The skull, some of its teeth missing, wears the headdress of the pope. Balanced atop this headdress is an inverted darker version of the headdress. The ghoulish pope and his dual hats for good and evil are just the focal point for a large, decorative tablet adorning the wall, and inscribed with some Latin mumbo jumbo…

The center Isle is gated, and one must pay the monks to continue to the main altar beneath the stained-glass windows high above. But, continuing down the aisle to the left, the aisle ends in an enclave about halfway to the altar, and you find yourself face-to-face with a strange painting.

The masterpiece is illuminated by overhead lights, and is flanked on each side by a statue of a king standing beside twin pillars; the king appears to be presenting the painting to the audience.

From the wall next to it, a startlingly real carving of a medieval monk seems to be emerging from a window in the wall and is studying the painting intently.

The painting depicts two ancient scribes perched on a cloud, and who appear to have discovered something in a manuscript. An angel descends upon them, delivering a feathered quill to each of them. Below them in a citadel surrounded by mountains, a dark and shadowy figure gazes out from an open terrace.

Flanking the window directly in front of the painting, a statue of Jesus sits in the posture of an enthroned king, the crown of thorns upon his head. A demonic dwarf sits upon each of his shoulders whispering in his ear.

On the other side of the window, closest to the painting, Jesus still wearing his crown of thorns but now standing and stripped naked is riddled with arrows. Atop the twin pillars flanking the painting on the right is a courtesan, and atop the pillars flanking it on the left is a swooning, naked woman. She is girded about the loins by a serpent and an arrow pierces her heart.

At the top of the abomination sits a high priest garbed in black. Whatever it was the scribes found in that manuscript, the directive is now clear. Jesus and Mary must both be killed, and it falls on the church and the kings of the earth to do it…

Throughout our writings, we have continually referred to David Lynch’s Twin Peaks. That is because its symbolism constitutes the most all-inclusive work on the occult, the esoteric doctrines behind populist religions like Christianity, and the deepest darkest secrets of Synarchy that have ever been presented to Samael, the blind gods’ world.

In Twin Peaks there are two lodges that control the world; the Black, dedicated to evil, and the White, dedicated to good.

They meet in a place called the Red Room, a place out of time and at the crossroads of the portals, hosted by a malevolent dwarf and a benevolent one-armed man. The Red Room is most noted for its floor, tiled by an off-white and dark-brown chevron pattern. The floor of Stephansdom is the very same off-white and dark-brown colors, but in a checkerboard pattern. The famous roof of Stephansdom is a chevron pattern in light and dark colors…


1 – Diem, Peter. “Der Stephansdom und seine politische Symbolik” [St. Stephen’s Cathedral and its political symbolism] (in German). Austria Forum. Retrieved 12 September 2014.

2 – Rahn, Otto. “ORNOLAC IN THE LAND OF FOIX.” The Court Of Lucifer A Voyage With Europe’s Benevolent Ghosts By Otto Rahn.pp 36-37.

3 – Heart, J. (2019). Titthakara: Nazi Germany’s Secret Installations Beneath Polar Ice Caps – VT | Military Foreign Affairs Policy Journal for Clandestine Services. [online]

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Originally appeared on Please be advised we will not be able to reply to your comments on other sites. 

Illustrations & quotes for educational purposes. © Jack Heart 2019




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  1. Lynch is not the only one who ever covered this. HP Lovecraft’s writings cover most of it. For further understanding of the contents of this piece I would suggest The Haunter of the Dark and The Dreams in the Witch House, the latter will explain all the dormers you see in the roof of Stephansdom. Dietrich knew exactly what he wanted destroyed. All your beliefs about rationalism and materialism are naught but the feed by which the calf is fatted for consumption, none of it is true and all of it leaves you tethered to the slaughterhouse. These things to which we write about are real, what you see on the evening news is not. Very few will ever learn the Sepher Yitzirah or the Yggdrasil and Jesus is not going to save you, as you can see here he has his own problems. You all need to at least try and save yourselves before you can expect help from Others…

    • The only difference between me and the scull on the picture is, that blowfly worms have not eaten my face and brains yet. Why are people so afraid of facts of life, that no-one is at the top of food chain because it’s circular. Even in the NT they speak about the God taking His Son back Home before worms ated Him, but on the other hand they are feeding His flesh to the congregation.

      Some more than decade ago I read news about a small conflict in Jerusalem, where a handful of people were fortified inside a very old Church, Christians and Moslems maybe and surrounded by IDF. After several days those inside the Church asked a ceasefire to carry out a death corpse from whos face was full of worms and wormholes. I think that was a Sign for tomorrow.

  2. “An angel descends upon them, delivering a feathered quill to each of them.” – JH

    The same angel that later delivered ballpoint pens to Ann Frank?

  3. Most churches and Cathedrals are build over much elder pagan sanctuaries and maybe those old forces are still at work today.

  4. This is far too near-fetched. The actual change in culture and mindset started already 5000 years ago, when a warrior king cult from East rolled over central and south European defenseless farmlands. Northern Europe was a different thing, not that much to loot there and also hunter gatherers, natural born killers literally.

    The only Logo hunter gatherers have is, don’t hunt the Devils Moose, it’s a trap. That has everything to do with individual greed, and greed is the means the Devil will catch You. Very much the same as is expressed in the New Testament. Too bad Scandinavians falled on that trap and became Germanized by a carrot without stick and replaced the Old Ghosts by Viking warrior Kings.

    Then what does it mean in practice to be a warrior king. Shiny sword, jewels, wealth, women and lots of political power, that is his Word overrules the words of plenty. And if there is no war, then the one will lose all those priviledges. How about the ordinary small farmer/cannonfodder, how much does he benefit from all those wars. Nothing, the opposite in fact, that’s why they need those buildings, sculptures and organized religions to keep them/us scared.

  5. Stephansdom…, isn’t this the “Catholic” cathedral where the infamous heretic (and probably Satanist), Schonbron, literally gave his blessing to the staging of a drag queen/ satanist’s fashion/art show, about which VT contributor, Fabio Giuseppe Carlo Carisio wrote about only days ago?

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