Mysterious Ghost: The Long Walk, a movie

The Long Walk is a film of ideas, and what a success it is. An old scavenger living on the fringes of a near-future society exploits a ghostly companion’s ability to traverse time.

0
192

Movie review by Riley Gardner in the Santa Fe Reporter, 16 March 2022

The Long Walk follows an unnamed old man (Yannawoutthi Chanthalungsy) and a young boy (Por Silatsa), both of whom can talk to spirits. One in particular (Noutnapha Soydara) joins them during long walks along forested roads for decades on end, though it never speaks a word.

When numerous women go missing, authorities tap the unnamed man for assistance, but he might be more interested in undoing the flaws of his past with help from his spirit friend.

In a strike against the Asian Orientalism that continues to plague Western filmmaking, Laotian-born director Mattie Do builds her world from everyday Laotian anxieties: Namely, the belief that bodies not properly cremated bear spirits that find themselves stuck wandering the Earth.



Deeper Buddhist themes reflecting life, death, and rumination make for a sturdy, if pessimistic, undercurrent. Here, the living isn’t frightened by ghosts so much as they are the more earthbound fears they illicit. If a dissatisfied ghost can be stuck on Earth for eternity, is there a point in striving for a type of perfection already disproved by the very existence of these stuck spirits?

It’s too easy to call The Long Walk a horror film or a psychological trip. It’d have to be stretched, stuffed, and disjointed if you wanted it to fit into more mainstream horror definitions, or as I like to call it, the old stab-stab/jump-jump. Do’s opus doesn’t fit neatly into any genre, in fact, and a viewer can’t expect any coddling from her. Her elements of Asian futurism are not deeply crafted (everyone in this future has a microchip installed) but they do emphasize a common misconception that tech and tradition are mutually exclusive.
But then, The Long Walk is a film of ideas—and what a success it is.

Read more, at Santa Fe Reporter

Digital and On-Demand March 1, 2022

Director: Mattie Do

Writer: Christopher Larson

Producer: Douangmany Soliphanh, Mattie Do, Christopher Larsen, Annick Mahnert, Justin Deimen, Abhi Rastogi


Editing: Erica P. Wissinger

ATTENTION READERS

We See The World From All Sides and Want YOU To Be Fully Informed
In fact, intentional disinformation is a disgraceful scourge in media today. So to assuage any possible errant incorrect information posted herein, we strongly encourage you to seek corroboration from other non-VT sources before forming an educated opinion.

About VT - Policies & Disclosures - Comment Policy
Due to the nature of uncensored content posted by VT's fully independent international writers, VT cannot guarantee absolute validity. All content is owned by the author exclusively. Expressed opinions are NOT necessarily the views of VT, other authors, affiliates, advertisers, sponsors, partners, or technicians. Some content may be satirical in nature. All images are the full responsibility of the article author and NOT VT.